SEATTLE — The work of Cambodian American artist Anida Yoeu Ali amuses and provokes in the new exhibition, "Hybrid Skin, Mythical Presence."
The Tacoma artist is best known for the Buddhist Bug, a 100-meter-long textile sculpture that features the orange color of a Buddhist monk's robe but is topped with the face and head scarf of a Muslim woman, Ali herself.
"Growing up in the US, I thought being Muslim was something other Cambodians were, Ali said. "But that's not what I found out and we are such a small minority."
Muslims comprise only 2% of the Cambodian population.
Challenging assumptions with wit and whimsy, Ali brings her pieces to life in the most unexpected of places.
"The Buddhist Bug guided me as to where the creature wanted to wander," Ali said.
It's popped up everywhere from a Cambodian schoolhouse to a studio in Atlanta.
"That's what I want people to understand, that this wasn't a one-time performance, that this is happening over time across the globe," Ali said.
Her "Red Chador" project puts a sparkly twist on traditional Muslim garb. She dons the brightly sequined robe, which includes a covered head and veiled face, and takes it for very public strolls through cities and parks around the world.
"Why is our global perception of the veiled Muslim woman lacking such joy?" she asked. "Do you really fear a sparkling red sequined dress that happens to cover a woman's face? If you're fearing that garment, you have to ask yourself why."
Facing down fears and generating joy, Anida Yoeu Ali is bringing a touch of beauty to a troubled planet.
"It's exciting to bring this work that existed in different parts of the world to Seattle," Ali said.
"Anida Yoeu Ali: Hybrid Skin, Mythical Presence" will be on display at the Seattle Asian Art Museum through July 7.